Rabu, 23 Maret 2016

Southside With You Ver Y Descargar Peliculas

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Inspired by Barack and Michelle Obama's first date, SOUTHSIDE WITH YOU recounts the eventful summer day in 1989 when a young law firm associate named Barack Obama (Parker Sawyers) tried to woo lawyer Michelle Robinson (Tika Sumpter) during a daylong date that took them from the Art Institute of Chicago to a screening of Spike Lee's Do the Right Thing to the site of their first kiss outside of an ice cream parlor.

About Southside With You

Artist : Tika Sumpter, Parker Sawyers, Vanessa Bell Calloway, Taylar Fondren, Preston Tate Jr
As : Michelle Robinson, Barack Obama, Marian Robinson, Janice, Kyle
Title : Southside With You Ver Y Descargar Peliculas
Release date : 2016-08-26
Movie Code : 4258698
Duration : 84
Category : Drama

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Comment For Southside With You Ver Cine

Name : Richard Brody / Alias : New Yorker
This tender, intimate drama has the grand resonance of a historical epic.

Name : Linda Barnard / Alias : Toronto Star
Tanne presents a Richard Linklater-style examination of a day and evening together, where two people in their 20s - she a lawyer at a downtown firm and he a summer associate at the same shop - slowly come to know each other.

Name : Adam Graham / Alias : Detroit News
"Southside With You" plays like "Before Sunrise" if those two characters had a really epic epilogue.

Name : A.A. Dowd / Alias : AV Club
It's a bit like Before Sunrise, only with the leader of the free world in the Ethan Hawke role.

Name : Brian Lowry / Alias : CNN.com
Nicely conveys a broader, more intimate portrait of the First Couple, the movie probably would have been enriched if Tanne hadn't hemmed himself in so much with the conceit and instead traced more of the early stages of their courtship.

Name : Leah Greenblatt / Alias : Entertainment Weekly
Southside doesn't hang on epiphanies; instead, it delivers something more modest: a tender, unrushed love story.

Name : Leah Pickett / Alias : Chicago Reader
Southside With You showcases a city as photogenic, dynamic, and charming as the lovers themselves.

Name : Nick Allen / Alias : RogerEbert.com
How often do we see movies where characters are given the freedom to just walk and talk?

Name : Colin Covert / Alias : Minneapolis Star Tribune
While it contains some minor political elements - as does real life - this is at heart a near-perfect date movie, a nonpartisan walking and talking love story.

Name : Moira MacDonald / Alias : Seattle Times
It's a sweet-natured, gentle film that might remind more than a few watchers of a special date in their own life, long ago.

Name : Matthew Lickona / Alias : San Diego Reader
President Obama's fans and haters alike will find something to enjoy in this slightly stilted yet oddly fascinating account of the Harvard law student's first date with Michelle Robinson, the woman who would eventually become his wife.

Name : Chris Nashawaty / Alias : Entertainment Weekly
A classic meet-cute with a twist.

Name : Katie Walsh / Alias : Tribune News Service
One wouldn't quite say this date movie is political, but this deeply personal portrayal of the President and First Lady is inherently political - asserting their humanity and the specific life experiences that brought them to the White House.

Name : Tirdad Derakhshani / Alias : Philadelphia Inquirer
A deceptively simple, remarkably lean, and well-paced indie pic about the young Barack Obama's first date with the young first-lady-to-be Michelle Robinson.

Name : David Sims / Alias : The Atlantic
A gentle, rose-tinted piece of political nostalgia-one that glances at the divisions in American society, but still casts a optimistic view toward whatever's next.

Name : Barry Hertz / Alias : Globe and Mail
It's breezy and cute and will do absolutely nothing to sway anyone's politics. Which is exactly the point.

Name : Zach Schonfeld / Alias : Newsweek
This is a small-scale romance with small ambitions but fairly big heart.

Name : Jake Coyle / Alias : Associated Press
Nuanced and charming, Southside With You is a sunny, strolling odyssey through African-American life in 1989, filtered through two future icons as they navigate the world around them and their place in it.

Name : Manohla Dargis / Alias : New York Times
Mr. Tanne has clearly made a close study of his real-life inspirations, yet his movie is soon hostage to the couple's history. His characters feel on loan and, despite his actors, eventually make for dull company .

Name : Odie Henderson / Alias : RogerEbert.com
An irresistibly romantic and rousing success.

Name : Eric Kohn / Alias : indieWIRE
It may not offer a fresh perspective on the world's most famous couple, but effectively resurrects their initial appeal in public life by uncovering its roots.

Name : Peter Travers / Alias : Rolling Stone
Here's the date movie of the year, about a first 1989 date between Barack Obama (Parker Sawyers) and Michelle Robinson (Tika Sumpter). Both actors are terrific, suggesting the powerhouses they're playing without undue mimickry.

Name : April Wolfe / Alias : Village Voice
Sawyers seems to have absconded with one of the real Obama's discarded cigarette butts and sucked in his Marlboro Red essence, while Sumpter gives a solid but overshadowed performance .

Name : Stephanie Zacharek / Alias : TIME Magazine
As a work of imagination inspired by fact, the film shimmers with warmth.

Name : Justin Chang / Alias : Variety
Tika Sumpter and Parker Sawyer are terrifically cast as younger versions of Michelle and Barack Obama in Richard Tanne's disarmingly romantic walkabout.

Name : Barbara VanDenburgh / Alias : Arizona Republic
First-time filmmaker Richard Tanne eschews politics and heavy foreshadowing, opting instead to craft a breezy, intimate and tender film about two people making that fateful first connection.

Name : Michael Phillips / Alias : Chicago Tribune
Sawyers and Sumpter . [are] better than the writing, which follows its diagram and lays out the conflicts and personality differences very, very neatly.

Name : Oliver Jones / Alias : New York Observer
For a film with relatively modest intentions, Southside With You can stir up some epic and opposing waves of emotion.

Name : Sam Adams / Alias : TheWrap
One might question why a simple first-date story needs to involve the future president and first lady, but its near-total lack of precursors suggest that if it weren't about one of the most famous black couples, it would likely not have been made at all.

Name : Andrew Lapin / Alias : NPR
Southside With You has a claim to relevance for anyone who was moved even a little bit by the inauguration, or, almost 20 years earlier, by Do the Right Thing.

Name : Ann Hornaday / Alias : Washington Post
A delightfully low-key portrait that is as universal as it is grounded in a well-chronicled public-private life.

Name : Kyle Buchanan / Alias : New York Magazine/Vulture
Fortunately, Tanne didn't have to compromise at all with his two charismatic leads: Not only are they dead ringers for Barack and Michelle, but they go beyond impression to deliver something real and human-sized.

Name : Richard Roeper / Alias : Chicago Sun-Times
Of course this is a stylized - and yes, on occasion, idealized - version of the launching point of a lifelong romance between two young Chicago residents who would go on to make history. That's pretty much the point.

Name : Kyle Smith / Alias : New York Post
The mollifying figure on display here bears little resemblance to the hyperpartisan president Obama turned out to be, but it's sweet to remember things could have been different.

Name : Tony Hicks / Alias : San Jose Mercury News
In the end, Tanne has given us a movie that is warm and watchable without overdoing it.

Name : Mick LaSalle / Alias : San Francisco Chronicle
"Southside With You" proves once and for all that a romantic film doesn't rely on suspense. We know these people are getting together. What holds us to our seats is wondering how it will happen.

Name : Dana Stevens / Alias : Slate
Though it's barely 84 minutes long, this buoyant yet reflective movie captures the ever-shifting mood of a daylong encounter that changed both its protagonists' lives.

Name : Todd McCarthy / Alias : Hollywood Reporter
A warm and surprisingly engaging account of the first date of Barack Obama and Michelle Robinson.

Name : Dave Calhoun / Alias : Time Out
A small, successful sketch of now-great lives.

Name : Kenneth Turan / Alias : Los Angeles Times
A sweet date-night movie about a date that wasn't really a date. Until it was.

Name : Peter Keough / Alias : Boston Globe
How pleasant to watch a subtle, sweet-natured romantic tale about Barack and Michelle Obama devoid of the partisan rancor and rhetoric of the ongoing presidential campaign.

Name : Edward Douglas / Alias : New York Daily News
Equally clever and charming, and ultimately a pretty good date movie in its own right.

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Selasa, 22 Maret 2016

Bastards Full Movie 2016 Part 1

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Two brothers (Owen Wilson and Ed Helms) hit the road to find their long-lost dad after they learn that their mom has been lying to them about his death. This comedy was directed by Lawrence Sher.

About Bastards

Artist : Ed Helms, Owen Wilson, Ving Rhames, J K Simmons, Terry Bradshaw
As : , , Rod Hamilton, ,
Title : Bastards Full Movie 2016 Part 1
Release date : 2017-01-27
Movie Code : 0460012
Duration : 120
Category : Comedy

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Name : Amy Nicholson / Alias : I.E. Weekly
Basterds isn't a deep film - honestly, what Tarantino flick is? - but it has moments as sharp as a bayonet and as perverse as war itself.

Name : Colin Covert / Alias : Minneapolis Star Tribune
The secret sauce of this delicious romp is the joy of hanging out with a delightfully unruly rebel with a paintbrush.

Name : Todd McCarthy / Alias : Variety
By turns surprising, nutty, windy, audacious and a bit caught up in its own cleverness, the picture is a completely distinctive piece of American pop art with a strong Euro flavor that's new for the director.

Name : Joanne Kaufman / Alias : Wall Street Journal
All the trademark Tarantino flourishes are here - the joyous splaying of gore; the self-referential dialogue; the artful artificiality and the juxtaposition of humor and violence - but they don't add up to much.

Name : David Denby / Alias : New Yorker
Inglourious Basterds is not boring, but it's ridiculous and appallingly insensitive-a Louisville Slugger applied to the head of anyone who has ever taken the Nazis, the war, or the Resistance seriously.

Name : Mick LaSalle / Alias : San Francisco Chronicle
The picture contains all the things his fans like about Tarantino - the wit, the audacity, the sudden violence - but this movie's emotional core and bigness of spirit are new.

Name : Peter Howell / Alias : Toronto Star
These Basterds blend into a much richer story, a hugely entertaining one with stars you don't immediately see shining.

Name : Calvin Wilson / Alias : St. Louis Post-Dispatch
Cenedella may never become a household name, but "Art Bastard" argues persuasively that fame is overrated.

Name : Christopher Orr / Alias : The New Republic
The true moral universe in which the film unfolds is that of the spaghetti westerns.: a world in which the strong are above the law and the way to tell the good guys from the bad guys is not by their acts but by the kind of hats they wear.

Name : Rafer Guzman / Alias : Newsday
Tarantino is the most fearlessly inventive filmmaker alive - but we knew that. And while Inglourious Basterds is never anything less than ridiculously entertaining, it's nothing Tarantino hasn't done before.

Name : Dave Calhoun / Alias : Time Out
'Subtle' is not a word in Tarantino's lexicon. At the film's heart is a fatal attempt to conflate fact with fiction and a celebration of vengeance that's misplaced and embarrassing.

Name : Bill Goodykoontz / Alias : Arizona Republic
Tarantino crams enough movie-loving passion into the film to keep you not just entertained but occasionally riveted. Above all else, it's a really enjoyable ride.

Name : J. Hoberman / Alias : Village Voice
Energetic, inventive, swaggering fun, Quentin Tarantino's Inglourious Basterds is a consummate Hollywood entertainment - rich in fantasy and blithely amoral.

Name : Steven Rea / Alias : Philadelphia Inquirer
Tonally schizoid and rife with anachronisms (a David Bowie song on the sound track, out-of-era vernacular), Tarantino's Third Reich folly is utterly exasperating.

Name : Laremy Legel / Alias : Film.com
Like a bat to the head, it's not too subtle, but you can't help but watch.

Name : Tom Maurstad / Alias : Dallas Morning News
Scenes like the showdown in the tavern and the movie-premiere finale are as imaginative, energetic and, in their own weird, brutal way, beautiful as cinema gets.

Name : Stephen Holden / Alias : New York Times
"It's not what they show, it's what they don't show," the painter Robert Cenedella complains in "Art Bastard," Victor Kanefsky's robust, plain-talking documentary portrait of this lifelong rebel and art-world gadfly.

Name : Rene Rodriguez / Alias : Miami Herald
Inglourious Basterds transcends the war genre to become its own kind of unique picture: A bloody blast of pure movie bliss.

Name : Ann Hornaday / Alias : Washington Post
For all its visual bravura and occasional bursts of antic inspiration, it feels trivial, the work of a kid who can't stop grabbing his favorite shiny plaything.

Name : Ty Burr / Alias : Boston Globe
Inglorious Basterds is an entertainment but an uneasy one; it represents 153 minutes of bravura stalling, after which its creator loses interest and walks away.

Name : Tomris Laffly / Alias : Time Out
Breezy and vivid, Art Bastard ultimately delivers the person: criminally underrated yet still principled and generous.

Name : Keith Phipps / Alias : AV Club
There's a feast here, particularly in the amazing opening, an unexpected essay on King Kong, and performances by Pitt, Laurent, and Waltz. It's just been placed on a huge table with no consideration of whether it adds up to a meal.

Name : Nick Schager / Alias : Village Voice
Manages to be as cursory as it is intimate, skimming over so much of Cenedella's life and career that it imparts only a hazy impression of who he is and what he believes.

Name : Tom Long / Alias : Detroit News
Basterds is not great Tarantino but it's solidly good Tarantino, and that's sweet news for his fans.

Name : Elizabeth Weitzman / Alias : New York Daily News
When a man makes a movie this good, you can forgive him the occasional indulgence.

Name : Joe Williams / Alias : St. Louis Post-Dispatch
With its exploded notions of heroism, torture-rack dramatics and kamikaze gusto, it's a fiendishly entertaining flick.

Name : Colin Covert / Alias : Minneapolis Star Tribune
I'm tempted to say Tarantino has done it again, but I doubt anyone has ever done anything like his dazzlingly original World War II movie, Inglourious Basterds.

Name : Ben Lyons / Alias : At the Movies
Superbly acted and well constructed, each scene is paced to a chaotic climatic frenzy.

Name : Scott Marks / Alias : San Diego Reader
You may not recognize the name going in, but after spending 82 minutes watching director Victor Kanefsky cast a heartfelt lens in Cenedella's direction, you'll never forget him.

Name : Owen Gleiberman / Alias : Variety
The madly teeming pop-cartoon paintings of Robert Cenedella anchor a lively look at a self-styled superstar of outsider art.

Name : Richard Corliss / Alias : TIME Magazine
Many Tarantino movies are female revenge fantasies, in which strong women plot the deaths of men who wronged them. In Shosanna and Bridget, the writer-director has fashioned two of his steeliest, most principled femmes fatales.

Name : Manohla Dargis / Alias : New York Times
Simply another testament to his movie love. The problem is that by making the star attraction of his latest film a most delightful Nazi, one whose smooth talk is as lovingly presented as his murderous violence, Mr. Tarantino has polluted that love.

Name : Peter Rainer / Alias : Christian Science Monitor
Landa is such a wily and despicable concoction that, in movie terms, he's almost impossible not to like. And therein lies part of my problem with this movie.

Name : Christy Lemire / Alias : Associated Press
If only Quentin Tarantino the director weren't so completely in love with Quentin Tarantino the writer, Inglourious Basterds might have been a great movie rather than just a good movie with moments of greatness.

Name : Bob Mondello / Alias : NPR
'Art Bastard' is a film about a man who has tilted - and continues to tilt - at the art-world equivalent of Don Quixote's windmills.

Name : Ben Mankiewicz / Alias : At the Movies
This is a seriously provocative film.

Name : Stephanie Merry / Alias : Washington Post
Cenedella is rough around the edges, yet he remains fascinating.

Name : Stephen Whitty / Alias : Newark Star-Ledger
It's these fine sequences that can make you truly regret Tarantino's snarky, in-joke impulses, not to mention his arrogant - perhaps even dangerous - lack of concern with the story's moral dimensions.

Name : Roger Ebert / Alias : Chicago Sun-Times
Quentin Tarantino's Inglourious Basterds is a big, bold, audacious war movie that will annoy some, startle others and demonstrate once again that he's the real thing, a director of quixotic delights.

Name : Scott Von Doviak / Alias : Fort Worth Star-Telegram/DFW.com
For anyone who has been hoping to see Tarantino back at the top of his game, the must-see movie of the summer has finally arrived.

Name : John Hartl / Alias : Seattle Times
Tarantino's wartime fantasies may leave history in the dust, but his movie is a surprisingly satisfying contribution to movies about the Holocaust.

Name : Michael Phillips / Alias : Chicago Tribune
I don't know if I've ever seen a revenge fantasy so willfully messed up, sometimes offensively so, that still manages to be worthwhile for whole sections of its 2 1/2 hours. The opening is as good a sequence as Tarantino has ever created.

Name : Lisa Schwarzbaum / Alias : Entertainment Weekly
Austrian actor Christoph Waltz   triumphs, heroically, over Tarantino's brash, cine-drunk tall tale.

Name : Stephanie Zacharek / Alias : Salon.com
Quentin Tarantino seems to be hanging on to a lost world of moviemaking. He may be nuts. But he's a nut who cares.

Name : Roger Moore / Alias : Orlando Sentinel
Inglourious is slow, dumb - and in a first for QT in his cinema savant career - incompetent.

Name : Jonathan F. Richards / Alias : Film.com
Its biggest flaw, though, for those who care about such things, may be its moral attitude. That might seem a stodgy thing to bring up in the context of a Quentin Tarantino movie, but it takes such center stage that it needs to be examined.

Name : Dana Stevens / Alias : Slate
Tarantino's signature nastiness and his juvenile delight in shocking the audience undercut the movie's larger purpose.

Name : Claudia Puig / Alias : USA Today
The outcome is gory and glorious.

Name : Peter Travers / Alias : Rolling Stone
Will Basterds polarize audiences? That's a given. But for anyone professing true movie love, there's no resisting it.

Name : Rick Groen / Alias : Globe and Mail
War reduced to pop entertainment should at least be easy to swallow, but this stuff keeps getting stuck in our craw. The trash that Tarantino used to elevate he now imitates.

Name : Tom Charity / Alias : CNN.com
Waltz will be unknown to most American audiences - he was certainly unknown to me - but he's nothing less than sensational as the silky, polyglot SS officer charged by the Fuhrer to root out the remaining Jews in France.

Name : Kenneth Turan / Alias : Los Angeles Times
Clocking in at 2 hours and 32 minutes, it is unforgivably leisurely, almost glacial, a film that loses its way in the thickets of alternative history and manages to be violent without the start-to-finish energy that violence on screen usually guarantees.

Name : Rex Reed / Alias : New York Observer
World War II was more serious, complex and horrifying than all this comic embellishment, but if I sound critical, I apologize in advance. I had a helluva time watching Inglourious Basterds.

Name : Lou Lumenick / Alias : New York Post
Quentin Tarantino's extremely witty revenge fantasy Inglourious Basterds may be the most fun you'll have at the movies this summer.

Name : James Berardinelli / Alias : ReelViews
With Inglourious Basterds, Quentin Tarantino has made his best movie since Pulp Fiction. He has also made what could arguably be considered the most audacious World War II movie of all-time.

Name : J. R. Jones / Alias : Chicago Reader
Inglourious Basterds is a social marker as startling as Easy Rider was in its day.

Name : Frank Scheck / Alias : Hollywood Reporter
Art Bastard shines brightest not as a biographical portrait - an aim in which it succeeds only sporadically - but rather as a showcase for the highly imaginative and thoughtful works by the now 76-year-old, too-little-known painter.

Name : Richard Roeper / Alias : Richard Roeper.com
One of the best performances of the decade in one of the most entertaining movies of the year.

Name : Robert Abele / Alias : Los Angeles Times
Though "Art Bastard" is a zesty, engaging documentary about a veteran outsider, when it comes to his complexities, it's not terribly cohesive.

Name : David Edelstein / Alias : New York Magazine/Vulture
The movie is an ungainly pastiche, yet on some wacked-out Jungian level it's all of a piece.

Name : Sheila O'Malley / Alias : RogerEbert.com
Engaging and thought-provoking .

Name : Eric Kohn / Alias : indieWIRE
Despite the injection of content from a variety of directions, Basterds lacks the crackly excitement of Tarantino's other efforts, mainly because he can't seem to tie the whole package together.

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